War Dog


Tonic walks steadily ahead. Sand and rubble hot beneath his paws. The men in their green and brown cloth and their war poles in and under arm. Tonic’s harness and pouches itch at his fur and the heat makes him want to pant. My boys are scared, he thinks, hearing each soldier’s breath as they watch and watch for signs of the earth being uprooted and eye every scrap of junk on the dirt road. Cans, containers, drink bottles. Things the man pack knows may hide boom strings to blow man, canine and warrior vehicles limb from limb. But Tonic smells nothing suspicious. His right ear twitches at the sound of a louder patter when one war fellow’s foot breaks out of rank, turning to look behind him.

It’s been a quiet month, no run-ins. No boom strings triggered. Just patrols with the man pack.

Corporal Daemon Morris, Tonic’s handler in the veterinary corps is close behind. Tonic feels safer for knowing he’s there and knows Corporal Morris and the rest of the man pack feel safer with Tonic there too. It’s a fact Tonic is proud of and for which he holds his head high.

When Tonic’s not on patrol he mostly stays in or by his kennel. The man pack might want to pet him and Tonic might enjoy a tug at his fur, a scratch under the ear or to play fetch like any other dog, but Tonic is a soldier and doesn’t think on such things. He stays by his kennel, unless called by Corporal Morris for a walk around the camp, or to go out on patrol.
Up ahead the man pack spots something that startles it. ‘A line of stones’ blurts Private Caren Jenkins. Tonic has noticed that when Private Jenkins speaks it sometimes sends an unusual shiver down his spine. Tonic doesn’t know why this happens but somewhere deep in the back of his mind is the memory of a lady just like private Caren Jenkins who used to take him out for walks and scratch him under his ear just the way he likes.

The man pack stops and Tonic stops with them. A row of stones can be a marker left by the enemy for their own man packs, to show that a boom-string is near. But Tonic doesn’t detect anything suspicious. He puts his nose to the ground then lifts it to the air, takes several quick sniffs and one long inhale that makes his nostrils flair. He detects the slightest smell of iron and an extra amount of salt in the air. ‘Tonic’ corporal Morris hisses. He holds Tonic’s face in his hands. ‘What do you smell boy?’ Tonic’s tongue drops out for a brief pant. He looks up into Corporal Morris’s eyes. Sweat roles down his cheek. Tonic is calm. The extra smell of salt in the air is from the increase in sweat of the man pack and the iron from their increased blood pressure. Tonic lets out an affectionate groan. He’s telling Corporal Morris, it’s all right we can go, let me do my job. Morris let’s go, and Tonic bounds on. ‘Go on boy’ says Corporal Morris.

Tonic is a black lab retriever High Assurance Search Dog on his fourth tour in Afghanistan. Soldiers come and go, the man pack changes, the handlers change too but Corporal Morris has remained Tonic’s constant for the whole of his 4th tour. Tonic trusts Corporal Morris and Corporal Morris trusts Tonic.

Morris loosens the lead and Tonic bounds on. Through the rubble and over the line of stones, knocking one with his sniffing nose. Clear of the stones, and a few steps on, Tonic stops and looks back at the man pack. Then as if to say there’s nothing to fear he wags his tail to show it’s clear. The man pack wade through, smiling as they step over the stones and Tonic, faithful Tonic bounds on ahead.

Then suddenly tonic stops, his ear twitches and he drops to the ground. Corporal Morris raises his arm, fist clenched. The man pack stops. Tonic has found something. There, close where Tonic lay impossible to see was something deep below the sand. Not for man or dog but for the wheels of war machines to trigger and to blow apart several men at once.

That was what Tonic found. You couldn’t see it, but it was there. Buried deep in the ground, it was the biggest discovery of an explosive by an animal. Tonic has done his job well today. He’ll take the scratch under the ear, the pat on the back and a good tug at his fur.


Edinburgh Fringe: Arrival into Waverly


Out the station and the wind howls. Gone is the hot sun of London and the South. Here the sky’s grey and as I arrive, the sun is setting over the Scott Monument, Prince’s Gardens and Edinburgh Castle.

I’m here with Broadway Baby, reviewing the Fringe Festival. It’s not set in yet. The Udderbelly’s still being fixed up and the streets mostly retain their relative calm. Like the clouds shutting out the setting sun suggest; it’s the calm before the storm. The last few days before Edinburgh is swarming with performers, press and tourists. When it seems everyone has something around their neck; a camera, a lanyard, a bow tie, a cravat or even a noose. Soon the constant flyering will commence, the perpetual performing, showboating, prostrating. The frenzy will consume the Royal Mile, starting from the foot of the castle, exploding outside St Giles’s Cathedral then calming and fading gradually down the crag to Holyrood Palace. Where the calmness returns and tranquility rains over Holyrood and Arthur’s Seat.

But for now, Edinburgh is still Edinburgh.

First Capital Connect


On the train, the sheep and trees in Huntingdon, a solitary black cow and a freight train. A fallen tree in the marsh and gloomy clouds in the sky.

Workman on the lines by St Neots and an old man in a cap on the platform.

The sun breaks through the clouds and glistens on the cranes, on our train and then the hills, farm houses and electric pylons and little factories before the little bridges at Sandy.

Then horses in coats, a lake smiling yellow under the sun. Our train horn bellows and our wheels rumble and on the stone walls all around white and dull giant scribbles. Bushes and shrubbery, a meagre football pitch and again our train hoots and the faster east coast brushes by. Wind turbines blades turn and the sky beams blue now instead of grey.

Cars on the bridge at Arlsey and naked trees bordering the tracks.

A puddle cum miniature lake frozen over but pecked at by a couple geese then a fire’s burning by an old warehouse and a man in a winter hat and shorts reads his paper at Hitchin.

The clouds once more tackle the sun and he tries to shine, glimmering faintly through the holes in the metalwork of a pylon, before vanishing, blanketed in grey. Stationery cars and square buildings propped up like a child’s building blocks make for the views at Stevenage.

Then trees that are tall and some that are green mound up on the bushy hills and by the quaint old bridge at Knebworth.

Then our train slows and yawns through the green and stops and naps as other trains run by. Awake again we pass a winding narrow road made alarming positioned after a national speed sign. The loud gloomy black of a tunnel then out to little trees and hills adorned with little houses below us at Welwyn north.

The Howard Centre at Garden City where two clumps of fern hug the brim of a lonely platform.
Gates and tracks, trees and buildings, a lake some horses more gates and some cranes. ‘we will shortly be arriving at Hatfield’. The train yawns again as it parks up at the station and so does every passenger getting on.

Trees and buildings nests and a truck. A dull blue playground partially hidden in a nest of trees. Gates, signs, big bin bags. Bye Bookmans station, we’re not stopping there. A man stood on his roof looks lost and some school boys jump on at Potters Bar.

Our train exhales like a yawn again, but long and raising in decimals before being shut out by its own echoes in the long tunnel. Then up for air and the train gulps as it’s submerged again and then shrieks in the darkness and our ears pop. Three more dives into three more tunnels and then the sun flashes low like lightning through the needles of the naked trees and Alexandra Palace stands tall and proud bathed in sunlight.

And now the flats, indisputably London, terraced houses with their little wide chimneys as the train pulls into Finsbury Park. Like its players pictured, red shirts hugging, Emirates stadium arms hug its rounded walls in a forest of concrete, glass and metalwork.

And then again we submerge and again we emerge and finally Kings Cross.